The divine are happy: appropriate attitudes to worshipping divinity

In ancient Hellenic religion, it was understood that the Gods reside in an eternal state of happiness. This eternal bliss is one of the many unique features distinguishing the Gods from mortal-kind. Thus, happiness should be seen as an integral part of humanity’s service to the divine as the most appropriate attitude one should have when providing the Gods with worship. In this essay, I will argue that, similar to Judaism, happiness is key to receiving the presence of divinity in Hellenic religion, being a vital component of Roman concept of the Pax Deorum. Not only is a happy state of mind seen as something mortals need to maintain a healthy relationship with the Gods, but in line with the reciprocal nature of Hellenic religion often denoted as do ut des, it is something, in turn, gifted to humanity by the divine. I will argue this by addressing two primary points: first, the nature of divine happiness in ancient Graeco-Roman religion. Second, the consequences of how divine happiness influenced spectacle in the Roman world. I will conclude by discussing its implications for contemporary Hellenic religion, and how happiness is an essential value in how we approach the divine in worship.

The conception of divine happiness

We first need to look into conceptions of happiness that were present in the Graeco-Roman world and how this affected Rome’s religious atmosphere, especially when it came to civic religious duties. The topic of divine happiness in Hellenic religion is frequent in Graeco-Roman literature. The Gods were frequently understood as being in an eternal state of blessedness, a feature of divinity which distinguished the Gods from mortal-kind. It was discussed by Graeco-Roman authors such as Aristotle and called makariotes (Latin: beatitudo), or blessedness (Bodeus 2000, 117). The idea of the Gods’ eternal happiness played an essential role in Epicureanism regarding the nature of the Gods, with happiness being intimately connected to virtue, reason, the human form, and ultimately the form the Gods hold. Gaius Velleius tells us of some of this Epicurean doctrine in Cicero’s De Natura Deorum, relating to us that “the gods are supremely happy, and no one can be happy without virtue, and virtue cannot exist without reason, and reason is only found in the human shape, it follows that the gods possess the form of man” (Cic. Nat. Deor. 1.48). In the same text, though Velleius’ opponent, the Academic Skeptic Cotta, protests against his assertion that the Gods hold human form, Cotta likewise concedes that happiness is a fundamental nature of the Gods: “You assumed that the gods are happy: we grant it. But no one, you said, can be happy without virtue. This also we give you, and willingly” (Cic. Nat. Deor. 1.89). Likewise, Graeco-Roman cults put an emphasis on people approaching the divine in happiness. In Titus Maccius Plautus’ play Poenulus the character Hanno presents the Gods with a prayer of thanksgiving: “all you gods and goddesses, I deservedly give great thanks to you, since you have blessed me with this very great happiness and these joys, that my daughters return to me and into my possession” (Rüpke 2007, 242; Pl. Poen. 5.4). Rupke describes this prayer as “not a mercenary or legalistic act of exchange, but rather a heartfelt act of happiness and joy” (Rüpke 2007, 243). A devoted worshiper of the Magna Mater declared that he performed the taurobolium “for happiness’ sake” (Rüpke 2007, 283). Graeco-Roman polytheistic conceptions of divine happiness are even recorded outside of Graeco-Roman polytheistic sources, as it came to be commented on by Christians hostile to paganism such as Augustine of Hippo. In his The City of God, a Christian polemical piece of anti-pagan propaganda aimed at trying to discredit the religious traditions indigenous to Rome, Augustine tells us that Roman Gods are worshiped through “all . . . things which are associated with joyfulness” (August. De civitate Dei, VIII.13).

This allows us to infer that divine happiness was very important in the ancient Hellenic religion. What may have inspired such a religious atmosphere were efforts to avoid words and actions of ill omen (Gell. Noctes Atticae, 1.6.4). In Rome, the avoidance of ill-omen can be seen with the Roman calendar, which had “black days” called religiosi that were declared when some calamity occurred, whether it be a natural disaster, a major defeat, or the unfortunate passing of an individual (Beard, North, and Price 1998, 156). Here, a day of public mourning would be declared, and the event’s annual anniversary would also be considered a day of bad luck  (Beard, North, and Price 1998, 156).  Nothing new was supposed to be started on these days (Forsythe 2014, 30). The Roman people were not supposed to perform sacrifices or open the temples’ doors, nor go on adventures or get married, among other things (Forsythe 2014, 30). In short, omens of ill fortune were drowned out as much as possible in Roman society, and it is possible that the emphasis on happiness in Graeco-Roman religious life was at least in part aimed towards helping with this effort.

Roman concept of divinely-granted happiness could often be found in various Goddesses that embodied certain virtues related to good fortune. One of these is Felicitas, or “blessedness,” a Goddess often conflated with Tykhe (Latin: Fortuna) (Prusac 2011, 75). The function of Felicitas reflected eudaimonia, yet while eudaimonia typically denoted a more personal form of divinely granted happiness, Felicitas denoted more of “a kind of civic happiness . . . connected to the welfare, prosperity and fertility” (Prusac 2011, 75). This civic function often saw Felicitas featured on forms of Roman propaganda from the Late Republican to Imperial eras, such as coins. Felicitas played an important role as it could be used to initiate change in the socio-political hierarchy. Rupke writes that “one feature of the transition was the attribution to the ruler of a special divine gift of good fortune in war (Felicitas)” (Rüpke 2007, 246). 

Happiness and ancient spectacles

The reverse of silver denarius struck in the name of the Roman emperor Macrinus, 217- 218 AD, depicting Felicitas. The legend lists some of the emperor’s titles and dates this issue to 218 CE. References include RSC 93 and RIC 42.

    Here we can begin to understand how divine happiness often found itself being connected to spectacles. An example is the performative politics of the later republican and the imperial eras, seen in figures such as Sulla. When Sulla took over Rome as a dictator after an intense and bloody civil war, he legitimized his new authority through this means by asserting that his victory had been proof that he enjoyed the Felicitas of the Gods. Sulla stressed his divinely granted felicitas to paint his regime as prosperous, taking on the cognomen Felix and possibly dedicating a temple to Venus Felix (Murphy 1986, 418). This can be understood as a form of performative politics, itself a spectacle, that allowed Sulla to build himself a public image. These actions helped establish a powerful precedent for Roman rulers that would be continued under the later Roman Empire, with Felicitas becoming an imperial virtue of the Emperors. An example of this can be seen in propaganda relating to the Pax Augusta, which on coinage could also be referred to as the Felicitas Saeculi (Brent 2010, 191). Rufus writes that Emperor Claudius’ imperial propaganda presented his Pax Augusta as embodying “in itself all those Virtues which secured the well-being and felicity of the human order: Concordia, Felicitas, Victoria, Salus, and that Pudicitia . . . so essential to maintaining the pax deorum” (Reasoner 2013, 68). Roman leaders performed political spectacle by presenting themselves as being divinely granted with Felicitas that encouraged prosperity under their regime.

Another way that we can understand how concepts of divine happiness were hand-in-hand with spectacle is by looking at how games were often intertwined into religious festivities. Early Christians often understood these events as explicitly Pagan, and I will argue that this was not without reason. Many of these events were associated with Graeco-Roman Gods, and often coincided with holidays. This served the purpose of making the populace happy as a means of getting them in the appropriate attitudes to worship the Gods. This is alluded to in Augustine’s The City of God. Here, while writing against the Pagan author Cornelius Labeo, Augustine tells us that “now Labeo thinks . . . good deities [are to be propitiated] with plays, and all other things which are associated with joyfulness” (August. De civitate Dei, VIII.13). The Christian saint Isidore of Seville, meanwhile, reinforces this when he tries to speculate that the etymology of ludus is from luses, amusement, as they were festival days where performers would entertain the populace “with the excitement of games” (Isidore. Orig., XVIII.xvi). It is “the amusement of young people in connection with festival days, temples, and religious ceremonies” (Isidore. Orig., XVIII.xvi), and hence the origin of these spectacles, aimed at exciting and making a populace happy, was “idolatry” (Isidore. Orig., XVIII.xvi). These spectacles are fundamentally connected to paganism, as a synonym for them are Liberalia, in honor of the God Liber (i.e., Dionysos) (Isidore. Orig., XVIII.xvi). “For this reason,” Isidore claims, “you should take note of the stain of the origin of spectacles, so that you may not consider as good what took its origin from evil” (Isidore. Orig., XVIII.xvi), which from his point of view was Hellenic polytheism. He then goes over four categories of spectacle that are connected to paganism: gymnastic, circuses, gladiatorial games, and theatrical performances. It is important to note that Isidore of Seville is drawing these claims from actual pagan sources such as Marcus Terentius Varro (Isidore. Orig., XVIII.xvi). We can thus conclude that spectacles such as ludi were aimed at amusing a populace during times of religious festivities to put them in the right collective mindset for worship, which would be essential for maintaining the Pax Deorum.

The most apparent example of how religious ideas of divine happiness were intertwined with public spectacles are the Ludi Saeculares, a spectacular event featuring theatrical performances along with sacrifices dedicated to different Gods each day (Forsythe 2014, 30). The purpose was to act as the opening ceremony to a new age of abundance and happiness, ushering in a new golden age of Saturn (Barker 1996, 435). An example of this is Augustus’, which celebrated his Pax Augusta and a new era of peace in the Roman world (Barker 1996, 435). The importance of inspiring happiness during this Ludi Saeculares was so important that people could be asked to put aside their private mourning for relatives when the ludi was occurring, demonstrated when Augustus issued a decree authorizing women to suspend mourning and enjoy festivities (Beard, North, and Price 1998, 14): “Since, insofar as it accords with proper custom, and in like manner has been observed in numerous precedents, whenever there has been a rightful cause for public celebration, it has been decided that the mourning of women should be suspended; and since it seems that it is appropriate both to the honour of the gods and to the remembrance of their worship that that should apply to the time of solemn rites and games and that it should be scrupulously observed – therefore we have decided that it is incumbent on us to issue to women a decree by edict, that they should suspend mourning.”

Conclusion

Overall, we can conclude that divine happiness was an important value in Roman religious life. It was the proper attitude one was supposed to undertake when approaching the divine, and was likewise gifted to mortals through divine blessing. Happiness in the form of civic-minded Felicitas thus held a central importance in the relationship between the Gods and mortals that defined the Pax Deorum, as well as an important product of the Pax Augusta, where Rome saw an unprecedented era of peace. This gave happiness an importance in spectacles, both in terms of performative politics, with Felicitas becoming an imperial virtue that leaders expressed in themselves, as well as ludi, which were intertwined with Roman religious festivals and intended to bring people joy during a time of festivities, which would have put people’s minds in the right mood that was integral to the daily worship essential to maintaining the Pax Deorum.

In short, this tells us that happiness is the expected attitude and essential element when receiving the presence of the divine. This is because it is understood that the Gods live in an eternal state of perfect bliss and blessedness (Bodéüs 1992, 117), which is one of the many features that distinguish God from man (in addition to the Gods being immortal, immaculate, perfectly beautiful, all-powerful, etc.). As such, happiness is an important value in Hellenism, especially in the context of our worship of the Gods. In order for humanity’s service of the divine to be complete, it must be completed in a joyful manner. Happiness is thus the most appropriate attitude when engaging in Their worship.

Bibliography

Augustine. Translated by Marcus Dods. Edited by Philip Schaff. A Select Library of the Nicene and Post-Nicene Fathers of the Christian Church, Vol. 2. Buffalo, NY: Christian Literature Publishing Co., 1887.

Barker, Duncan. “‘The Golden Age Is Proclaimed’? The Carmen Saeculare and the Renascence of the Golden Race.” The Classical Quarterly 46, no. 2 (1996): 434-46. Accessed August 23, 2020. http://www.jstor.org/stable/639800.

Beard, Mary, John North, and Simon Price. Religions of Rome: Volume 2, A Sourcebook. Cambridge: Cambridge University Press, 1998.

Bodeus, Richard. Aristotle and the Theology of the Living Immortals. New York: State University of New York Press, 2000.

Brent, Allen. Cyprian and Roman Carthage. Cambridge: Cambridge University Press, 2010.

Cicero. Translated by H. Rackham. On the Nature of the Gods. Academics. Loeb Classical Library 268. Cambridge, MA: Harvard University Press, 1933.

Forsythe, Gary. Time in Roman Religion: One Thousand Years of Religious History. Routledge, 2014.

Gellius. Attic Nights, Volume I: Books 1-5. Translated by J. C. Rolfe. Loeb Classical Library 195. Cambridge, MA: Harvard University Press, 1927.

Isidore. Translated by Stephen A. Barney, W. J. Lewis, and J. A. Beach. Edited by Oliver Berghof. The Etymologies of Isidore of Seville. New York: Cambridge University Press, 2010.

Marina Prusac (2011) Personifications of Eudaimonia, Felicitas and Fortuna in Greek and Roman Art, Symbolae Osloenses, 85:1, 74-93, DOI: 10.1080/00397679.2011.631365

Murphy, Paul R. “Caesar’s Continuators and Caesar’s “Felicitas”.” The Classical World 79, no. 5 (1986): 307-17. Accessed August 23, 2020. doi:10.2307/4349898.

Reasoner, Mark. Roman Imperial Texts: A Sourcebook. Lanham: Fortress Press, 2013.Rüpke, Jörg. A Companion to Roman Religion. Malden, MA: Wiley-Blackwell, 2007.

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On Herbs. An Anonymous Greek Poem translated by Ɔ. Martiana

This ancient text on Hellenic herbalism has been translated to English for the first time by Ɔ. Martiana, a co-author of the Hellenic Faith website fluent in both ancient Greek and Latin! Please check it out here and consider purchasing it to support our website and efforts.

Overview:

It is often said that the father of botany as a science was the ancient Greek philosopher Theophrastus, a student of the famous Aristotle. When one reads his “Historia Plantarum” or “Enquiry into Plants”, it is indeed striking how scientific, how technical and sober this work from the 4th century bce is. We are far removed here from the mythical narrative of Homer’s Odyssey, where the god Hermes comes down from heaven and hands Odysseus the wondrous plant moly to protect him against the sorcery of the goddess Circe. Only two short chapters in the nine volumes of the Enquiry even acknowledge ‘superstitious’ ideas of this caliber, and only to roundly dismiss them. One could be easily led to believe that after Theophrastus’ intervention, these superstitions faded away, supplanted by a new and rational outlook, and flourished only among the uneducated and in supposed fringe milieus of esotericists and magicians.

Our poem “On Herbs” belies such a view. Written by some unknown Greek poet in the period of the Roman empire – centuries after Theophrastus – for a mainstream pagan audience, it demonstrates that the ideas that Theophrastus had sought to banish from serious consideration continued to be of interest to the same kind of cultured readership that valued the classical philosophers. Our poet talks about the herb moly, about the divine power of plants, their mythical connections to the gods, the protocol for safely collecting them, and their ability to avert witchcraft and keep away daemons. The memory of this vital strand of ancient Greco-Roman mainstream culture has been repressed and rendered all but inaccessible to modern readers, but recent scholarship has shown that, irrespective of whether one finds the ideas themselves helpful or harmful, no accurate understanding of intellectual history can be gained without being aware of them.

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All meat comes from sacrifice: Hellenic dietary laws on meat consumption

6th century BCE representation of an animal sacrifice

Animal sacrifice is often thought to be one of the essential practices of ancient Hellenic religion. Frequently the practice is given a central role in the religion, acting conceptually, if not in practice, as the premier ritual of ancient Greek religion. However, what if the act of sacrifice has even greater significance to Hellenes? In short, Walter Burkert tells us that “the fundamental structure [of animal sacrifice] is identical and clear: animal sacrifice is ritualized slaughter followed by a meat meal” (Burkert 2006, 57). As such, we can discern that the act of sacrifice played a significant role in Hellenic dietary habits, but what was it exactly? In this essay, I will argue that sacrifice played an integral part in the consumption of meat in the ancient Greek world, with meat being expected to be sacralized through the performance of sacrifice before it was made consumable. I will argue this by giving an overview of what animal sacrifice meant, address the form that it is popularly thought to have assumed, and from there address objections by broadening the understanding of what animal sacrifice could mean in the ancient world. From this, I will conclude what these dietary practices should mean for modern day Hellenes, and how these dietary customs should direct the aspirations of the growing Hellenic community today.

Sacrifice: the method of acquiring meat

The speculation that the Hellenic world was one where, under most normal circumstances, meat was unsuitable to be consumed unless it was within the bounds of a sacrificial context is the topic of Marcel Detienne’s and Jean-Pierre Vernant’s book The Cuisine of Sacrifice among the Greeks. Here, we are told that the presence of the divine sanctifies the consumption of meat, but only to the extent that we provide the Gods with sacrifices, where we offer the animal to the divine (Detienne & Vernant 1989, 25). Fundamentally, sacrifice is a gift to the Gods, and is part of a reciprocal relationship between Gods and mortals that is based around the exchange of gifts (Parker 2011, 137). This gift is one where an animal had to be killed and eaten (Parker 2011, 136). It is an act through which something is placed into the possession of a God, and thus sacralized. Even Robert Parker, a scholar on Greek religion who is highly skeptical of the idea of the existence of any “Greek kosher,” admits that there exists a few references to the consumption of unsacrificed things as a type of sacrilegious and barbaric behaviour that is an affront the Gods in various inscriptions and poems (Parker 2011, 131-132).

This practice’s presence is so significant that it came to dominate the culinary concerns of early Christians, who saw the consumption of meat that had been acquired through this Pagan religious butchery as potentially spiritually harmful, as sacrificial meat frequently was sold in the marketplace of their era. This was so concerning to ancient Christians that it is even addressed in the bible within the Christian apostle Paul’s writings. Here, writing from the Hellenic city of Corinth, Paul writes “concerning food offered to idols…” (1 Corinthians 8:1) and informs early first-century Christians that they should “eat whatever is sold in the meat market without raising any question on the ground of conscience… But if someone says to you, “This has been offered in sacrifice,” then do not eat it, for the sake of the one who informed you, and for the sake of conscience” (1 Corinthians 10:25). Early Christians’ concerns about their neighbour’s dietary habits allow us a glimpse into the dietary practices of the world that they lived in– one where religious butchery was an integral feature of ancient Hellenic cult practice.

This is a sacrifice, right?

To develop an argument on religious dietary laws concerning meat consumption, we must first try to understand how meat was acquired, which means learning what animal sacrifice was in the ancient Greek world and making sense of what it entailed. The specifics of sacrificing an animal varied widely, given that ancient Hellenic religion had no centralized form and was so localized, and as such, rites and practices varied widely across the Hellenic world. When people think of what typically entailed an animal sacrifice, however, there exists a broad uniformity in how it was performed:

  1. The sacrificial act destination, the altar, is selected, and a suitable animal for sacrifice is found (Petropoulou 2012, 41). The grandest of these could be the ox, especially a bull (Burkert 2006, 55). What could also be sacrificed are sheep, goats, pigs, and poultry (Burkert 2006, 55).
  2. The sacrifice is adorned with a garland and then escorted to the altar (Petropoulou 2012, 41).
  3. The priest overseeing the sacrifice raises their hands skywards in a praying position, prayers are spoken, and lustral rites are performed (Petropoulou 2012, 41).
  4. The sacrifice is slaughtered. If the animal is large, then they receive a blow to the head with an axe to first stun the animal, and then their artery in their neck is cut with a sacrificial knife (Burkert 2006, 56). If the animal is small, they are raised above the altar, and their throat is cut (Burkert 2006, 55). The sacrifice’s blood is collected in a basin and poured onto and around the altar, a sign of great piety that lets people know that the altar is in active use by the city (Burkert 2006, 55).
  5. The sacrifice is skinned and carved up (Petropoulou 2012, 41) (Burkert 2006, 56). Their entrails can be examined (Petropoulou 2012, 41), and splanchna, organs such as the heart and liver, are roasted at the altar fire and eaten by the sacrificers while the bones and inedible fats are consecrated on the pyre (Burkert 2006, 56-57).

This “paradigmatic” bloody act is called a thysia by Detienne and Vernant (Detienne & Vernant 1989, 89), and denotes the spilling of sacrificial blood over the altar and the burning of their bones (Detienne & Vernant 1989, 25). Following this “paradigmatic” bloody act was the banquet, a fundamental feature of these more formal sacrifices. While the Gods received the bones and inedible fat, the edible meat was prepared for consumption by the mortal participants of sacrifice through boiling or roasting (Burkert 2006, 57). This allowed for communion between God and man, where the Gods joined with mortalkind in an act that brought them closer together. As Fred S. Naiden writes, “if there was communication through sacrifice, and thus a discourse or practice, there was also communion, an experience distinct from any such form of expression” (Naiden 2015, 316). Detienne and Vernant try to describe this by pointing back towards Hesiodic narratives of the origin of sacrifice when God and man were first divided with an event that marked the first sacrifice. They write that “by eating the edible pieces[,] men, even as they reinvigorate their failing strength, recognize the inferiority of their mortal condition and confirm their complete submission to the Olympians” (Detienne & Vernant 1989, 25). However, as Robin Osborne points out in his article Sacrificial Theologies, Detienne and Vernant make themselves wholly reliant on the narrative of a single author that was not given universal acknowledgement for their report on the origin of sacrifice in the Hellenic world, and thus it shouldn’t be used to ascribe qualities to the entire practice of sacrifice in the Hellenic world (Eidinow, Kindt, Osborne 2020, 236-237). During the sacrificial banquet, it was forbidden for meat to be removed from the sacred premise (Burkert 2006, 57). However, if the ritual feast ended and there was an abundance of sacrificial meat that remained, we know that it was then sold on the market, probably as a means of avoiding waste (Parker 2011, 158).

More to sacrifice than an altar

However, considering animal sacrifice was supposedly the primary source of food for ancient Greeks, was the described thysia ritual format the only paradigm of animal sacrifice that existed? The very question is invoked by Naiden, who objects to the idea that animal sacrifices as a whole were the entire means through which Greeks obtained their meat, writing that the claim that “all beef, mutton, and pork came from sacrificial animals . . . [is] a view that goes too far”, as according to him few acts of these formal sacrifices at the altar could feed citizen bodies of tens of thousands, let alone hundreds of thousands (Naiden 2015, 34). However, as J. C. B. Lowe points out, most meat of the ancient world likely would have been coming from sacrifice as meat would have been consumed conservatively (Lowe 1985, 73). After all, livestock was as much a currency in the ancient world as it was inventory, and raising livestock for the purpose of sacrifice and consumption would have been a substantial and hefty expenditure. As Parker writes, “there is therefore in sacrificial killing an element of surrender of wealth” (Parker 2011, 137). But more importantly, this brings into question whether there may have been a more considerable diversity of understanding of what counted as a sacrifice in the ancient Greek world. There is a degree to which I agree with Naiden’s assessment that the highly idealized model of sacrifice where blood spilled at the altar was not capable of feeding every single person in a city. It is not only likely, but in a decentralized religion, pretty much a given that sacrifice could come in many shapes and sizes, and it is likely that the model of sacrifice I had detailed above would not even count as the only model of sacrifice in the minds of Greeks. This is probably what is alluded to in the lex sacra, an inscription set up by an Orphic cult, that encourage acolytes to abstain from the paradoxical “unsacrificed sacrifices” (Hellholm & Sänger 2018, 1770).

Stag hunt mosaic from Pella, Greece

Both Lowe and Parker claim that some animals would not be sacrificed because the animals were killed during a hunt, rather than the formal ritual at the altar. Parker especially emphasizes this fact in his push against the idea of all meat needing to derive from sacrifice before consumption, deeming the claim “extreme” and asserting that it can be refuted by pointing out how “Greeks ate game animals killed in no special way” (Parker 2011, 131). But Parker’s points are relatively weak, as he works off the base assumption that the highly ceremonial ritual of blood at the altar was the only paradigm for sacrifice in the ancient Greek world. Both Lowe and Parker forget how important it was for hunters to make vows to the Gods before their hunts, where the Gods are frequently described as playing a substantial role in the preparation for a hunt, as described in Xenophon’s Cynegeticus:

Let the huntsman go out to the hunting ground in a simple light dress and shoes, carrying a cudgel in his hand, and let the net-keeper follow. Let them keep silence while approaching the ground, so that, in case the hare is near, she may not move off on hearing voices. Having tied the hounds separately to the trees so that they can easily be slipped, let him set up the purse-nets and hayes in the manner described. After this let the net-keeper keep guard, and let the huntsman take the hounds and go to the place in the hunting ground where the hare may be lurking; and after registering a vow to Apollo and Artemis the Huntress [gr. Agrotera] to give them a share of the spoil, let him loose one hound, the cleverest at following a track, at sunrise in winter, before dawn in summer, and some time between at other seasons. As soon as the hound picks up a line from the network of tracks that leads straight ahead, let him slip another. If the track goes on, let him set the others going one by one at short intervals, and follow without pressing them, accosting each by name, but not often, that they may not get excited too soon.

Xen. Hunt. 6.11-14

In short, what we see here is that the Gods are still an integral part of the hunter’s trade, and that the hunter’s killing of game is legitimized through the sacrificing of other animals. These accounts continue centuries after Xenophon, and can be found in the works of Arrianos of Nikomedia (sometimes styled as the “younger” or “second” Xenophon). In his own similarly titled Cynegeticus, Arrianos tells us about the critical role the Gods are understood to play in the hunt, and that even the most skilled of hunters who does not make a vow to the Gods may suffer from being unable to find game at all:

Teucer, he [Homer] says, the best bowman of the Greeks, in the arhcery-contest hit the cord only, and cut it asunder, because he had offered no vow to Apollo; but that Merion, who was no archer at all, by having invoked Apollo, struck the bird when on the wing

Arr. Hunt. 32-36

Not only are the Gods given vows by hunters, receiving a share in the game and sacrifices after that in exchange for substantial amounts of game, but we see in Arrianos’ account that to not offer vows to the Gods when hunting was synonymous with finding no success. So in what way is hunting not a potential form of sacrifice in the Greek paradigm? We might extend this to meat acquired from domesticated animals that didn’t go through a typical sacrificial procession. For example, early on in his book Smoke Signals for the Gods: Ancient Greek Sacrifice from the Archaic through Roman Periods, Naiden objects to the fact that all meat came from sacrifice by claiming that the pork that was served in the Spartan messes did not come from sacrificed animals (Naiden 2015, 34), but later admits that “the Spartan messes were not secular. When the butcher [mageiros] killed his pigs, he may have said a prayer over them” (Naiden 2015, 257). But while chastising Detienne and Vernant, Naiden himself writes that they “assume that sacrifice is a ritual, but the worshipper conceived it as an episode in a relation with a god” (Naiden 2015, 320), so why then are mageiroi not placed in a relationship with a sacrificial God when they pray over the animals they kill? In no way does Naiden address the inconsistency, aside asserting the fact that these butchering did not take place at an altar, which is simply how his opponents Detienne and Vernant define animal sacrifice. But then why should we assume that just because an animal was not slaughtered at an altar that it was not sacrificed, especially if the institution of butchery is a one where a butcher proficient in religious slaughter was, like with priests or hunters, invoking the Gods in prayer during the taking of a life? Infact, Lowe’s description of how the mageiros functioned paints a more in-depth picture that Naiden would find difficult to argue against, with the mageiros holding a combination of culinary and ritual functions, their role being that of a professional sacrificer proficient in butchering, cooking and ritual slaughter (Lowe 1985, 73). Thus it can only be discerned further that the consumption of meat held religious significance to the ancient Greeks (Lowe 1985, 72).

Conclusion

In conclusion, it is fair to conclude that in Hellenism, one must ideally acquire all of their meat through a type of religious butchery. Sacrifice was how the ancients acquired and consumed flesh. However, it is important to keep in mind what sacrifice means. All of the arguments made by Naiden and Parker opposing animal sacrifice as the fundamental way in which Greeks acquired their meat are formulated as direct responses to Detienne and Vernant’s work. However, rather than challenge Detienne and Vernant’s assertion that animal sacrifice in the ancient Greek world was synonymous with the thysia, which they define as the slaughter of an animal over an altar and the burning of their bones, Naiden and Parker affirmed the narrative by denying that animal sacrifice, which they also held to be synonymous with Detienne and Vernant’s thysia, to be the only means through which Greeks acquired meat. Evidence shows, however, that the gathering of meat from animals was always associated with giving of life to the Gods in one way or another– the fundamental feature that Parker admits as a defining feature of sacrifice to the Gods (Parker 2011, 136).

Given this information, practitioners of Hellenism today should be wary of where their meat comes from. It is important to be cautious of miasma coming from unsacrificed meat, especially from the meat industry. Further, it is essential for communities that can afford it to make efforts towards opening religious butcheries to accommodate for Hellenic dietary practices.

Bibliography

Arrian. Arrian on Coursing: The Cynegeticus of the Younger Xenophon, Translatd from the Greek, with Classical and Practical Annotations, and a Brief Sketch of the Life and Writings of the Author. To Which Is Added an Appendix, Containing Some Account of the Canes Venatici of Classical Antiquity. Translated by William Dansey. London: J. Bohn, 1831.

Brettler, Marc Zvi, Carol A. Newsom, and Pheme Perkins. The New Revised Standard Version. New York: Oxford University Press, 2018.

Burkert, Walter. Greek Religion. Cambridge: Harvard University Press, 2006.

Detienne, Marcel, and Jean Pierre Vernant. The Cuisine Of Sacrifice Among the Greeks. Chicago: University of Chicago Press, 1989.

Eidinow, Esther, Julia Kindt, and Robin Osborne. Theologies of Ancient Greek Religion. Cambridge: Cambridge University Press, 2020.

Hellholm, David, and Dieter Sänger. The Eucharist, Its Origins and Contexts: Sacred Meal, Communal Meal, Table Fellowship in Late Antiquity, Early Judaism, and Early Christianity. Mohr Siebeck, 2018.

Kleijwegt, Marc. Beans, baths and the barber… A sacred law from Thuburbos Maius. In: Antiquités africaines, 30,1994. pp. 209-220.

Lowe, J. C. B. “Cooks in Plautus.” Classical Antiquity 4, no. 1 (1985): 72-102. Accessed April 3, 2021. http://www.jstor.org/stable/25010825.

Naiden, F. S., Smoke Signals for the Gods: Ancient Greek Sacrifice from the Archaic Through Roman Periods. Erscheinungsort Nicht Ermittelbar: Oxford University Press, 2015.

Parker, Robert. On Greek Religion. Ithaca: Cornell University Press, 2011.

Petropoulou, M. Z. Animal Sacrifice in Ancient Greek Religion, Judaism, and Christianity, 100 BC to AD 200. Oxford: Oxford University Press, 2012.

Xenophon. Xenophon in Seven Volumes, 7. E. C. Marchant, G. W. Bowersock, tr. Constitution of the Athenians. Harvard University Press, Cambridge, MA; William Heinemann, Ltd., London. 1925.

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Update on the Website + Stance Against Hindutva

Hello all. Kleitonos (AzoresHeliokles), creator of HellenicFaith.com here. It’s been a long time since the last update for the website, and I’m writing here to provide an some explanation on my current situation. In short, there will still be no new content for the next few months due to circumstances happening in real life, which includes everything from COVID-19 adding sudden stress to everyone’s lives, to an intensive time dealing with my education as a disabled person without access to accommodations, to my commitments to friends, family and loved ones. These are all things that are pulling me away and overwhelming me right now. The little time I do have spent is usually dedicated to worshiping at my altar, spending time with friends and loved ones, and writing more recreational content elsewhere. However, once I am past all of my troubles, I plan to get right back to work on the website. Some articles have been about 70% done for over a year now, and once I return I have plans to finish many of these, including a unique take on cosmic eschatology that draws from Platonic, Hesiodic, and Late Antiquity ideas of cosmic epochs, but also draws inspiration from Zoroastrianism and Hinduism.

However, there is something that I feel is important for me to apologize to the community for. Earlier on in my online career I had been misled by various peoples in the Paganosphere into engaging with people who are part of Hindutva, with Hindutva being initially presented to me as nothing more but an innocent anti-colonial movement. As such, I had done the initial error of engaging with Hindutva folk in conversation, only to later find out that their movement had actually been little more than a racist, Islamophobic and chauvinistic far right movement. This website, the principles of Julian Hellenism, and I myself stand wholly and fully against the horror that is fascism and whatever form it may take, whether that be Folkish clowns trying to appropriate the Paganism or pompous members of Hindutva tarnishing Hinduism through their vile hatred of and attack on India’s inherent pluralist and diverse cultural and religious space. With all of my heart, I give my sincerest apologies for having made such a mistake and not understanding who these folk were before engagement. Future caution will be taken, and I sincerely thank people like Martiana and the South Asian Studies department at my University for educating me on such matters when I was ignorant.

I hope to continue to serve and do better for this community, and I hope to see it flourish and grow forever more. I love you all, and thank you for helping me grow and for giving me the motivation to get out of bed every day. Even when things truly feel rough in life.

All the best,

Kleitonos

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Prayer to Flavios Klaudios Ioulianos

Julian Picture

Credit: HistoryMarche, Hoc Est Bellum

O Great Julian, Emperor of Roma and First Among Equals,
Shining Son of God and Wisest of Men,
Golden King of Hellenes and All-Merciful Benefactor,
I invoke your name to banish all evil and purify this space.
Give me, if you wish so, Great Hero, the inspiration of knowledge on how to endure the struggles of life,
And put us on the path towards Eudaimonia.
For you, Ruler of Latins and Hellenes, Lord of Humankind who has ascended to the Gods and shares in Their power, are most blessed and excellent.
Divine Julian, Hear My Plea.
Khaire!

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